Course Catalog

We emphasize depth and breadth of learning in Theatre Arts, so we encourage our students to explore all the different areas of theatre including: Acting, Design, Creativity (this includes Playwrighting and Directing), and Theatre History.

Please Note: Most of these classes (with the exception of Fundamentals of Acting) are only offered once per year or every other year, in some cases. Reference Kalamazoo College’s course catalog to find out which classes are being offered this year.

THEA 110 Stagecraft Introduction to the principal topics and practices of technical support for theatre production: construction of stage scenery, scene painting, properties, rigging/focusing of lights, sound techniques, basic technical craft skills, and production communication practices. Fifteen-hour production lab required.
THEA 115 Activating Theatre Techniques for Community Dialogue A workshop course based on the Activating Theatre techniques of Augusto Boal. A developmental skills course in creating forum theatre for community and social change, and for moderating effective group dialogue. Interdisciplinary links with psychology, sociology, women and gender studies, and education with a focus on both experiential education and interpersonal communications.
THEA 120 Fundamentals of Acting Introduction to the skills necessary for performing on stage. This course is an exploration of the fundamental techniques necessary for beginning scene and monologue study in modern and contemporary realism. Through physical and vocal exercises, text and character analysis, scene and monologue studies, the student is introduced to the process of acting preparation and performance. Excellent course for nonmajors seeking an introduction to the art of acting.
THEA 155 Introduction to African-American Theatre Survey/lecture course from an African-American perspective, examining the activities and developments of Black American life as evidenced through its theatre, with emphasis on history, philosophy, dramatic creations, criticism, and socio-psychological concerns. Includes lectures in theatrical contributions of Western and African civilizations.
THEA 200 Theatre Production Practicum Each student involved in a significant role on regular theatre productions is a participant in the Festival Playhouse Company and shall thereby earn 1/4 unit of credit per production. Students may earn a maximum of two full units through THEA 200. Theatre Arts majors and minors must distribute each 1/4 unit in a different area of production (acting, stage management, costuming, lighting, scenery, sound, properties, publicity, etc.). Students must register themselves into Theatre 200 by then end of second week of the quarter in which they are participating. Instructor permission may be required.
THEA 210 Lighting Design Studies in the ideation and communication techniques of stage lighting; emphasis on play analysis, sculpting and painting with light, color theory, drafting, projection, and practical laboratories. Fifteen-hour production lab required.
THEA 215 Dramaturgy An examination into the role of the dramaturg in modern theatrical practice that also considers the importance of dramatic structure as a means of achieving successful storytelling onstage.
THEA 225 Developing a Character Advanced work in characterization with emphasis placed on building a character through various acting techniques, including Stanislavski, Suzuki, Viewpoints, and improvisational exercises. A continuation of THEA 120, this course is designed to deepen the student's understanding of their acting process combined with the discovery of voice and body in relation to character development. The course includes partner and monologue work, as well as written assignments. THEA-120
THEA 230 Dance, Drama, & Devotion in South Asia A wide range of different vibrant and colorful dance, drama, and music performance traditions are found in South Asia (the region comprised of the modern countries of Afghanistan, Bangladesh, Bhutan, India, the Maldives, Nepal, Pakistan, and Sri Lanka). South Asia is also one of the most religiously diverse regions of the world. Along with being the birthplace of the Hindu, Buddhist, Jain, and Sikh religions, South Asia is also home to followers of Islamic, Christian, Jewish, and Zoroastrian traditions. This course explores how different performance traditions are used to express religious devotion in South Asia as well as in the South Asian diaspora. Along with reading journal articles, book chapters, and forms of multimedia journalism, we will also watch several videos of different performances from the realms of dance, theater, and music with English subtitles.
THEA 235 Costuming and Stage Makeup This course is split into two sections: stage makeup and costuming. The makeup section will introduce the student to the basic principles of makeup application and design for the stage. The costume section will introduce the student to the basic techniques, tools, and materials used in costume construction along with an introduction to costume shop organization. Fifteen-hour production lab required.
THEA 240 Scenic Design Practical application and study of scenic design, including play analysis and historical research, followed by sketches, decor, drafting, construction of models, and color renderings. Focus upon the principles of movement, scale, color, light, silhouette, environment, and composition. Fifteen-hour production lab required.
THEA 255 Playwriting An introduction to playwriting, examining such topics as script analysis, dramatic structure, characterization, rhythm, and imagery. In addition to specific writing projects, students will also read and analyze representative plays.
THEA 270 Theatre of Illusionism: Western Theatre From the Renaissance to Early Film Study of Western theatre history from the Italian Renaissance to the evolution of early film, emphasizing the trend of the theatre to simulate the details of everyday life and the growth of theatre as an entrepreneurial institution that informed developments in audience, playwriting, acting, and design.
THEA 290 Asian Theatre A survey of selected topics in classical Asian theatre and performance from among the Noh, Kabuki, and Bunraku Theaters of Japan; Yuan Drama and Classical Opera of China; Sanskrit Drama and Kathakali Dance Theatre of India; and some other historical and current performance trends and styles. A study of theories of intercultural performance and Asian theatre influences on the West.
THEA 305 Voice and Diction Study of techniques for actors to develop the vocal production necessary for stage performance. Training in Fitzmaurice Voicework, Standard American English for neutralized dialect, and phonetic ear training. Class exercises, monologues, vocal physiology, proper warm-up techniques, and care for the professional voice. THEA-120 and sophomore standing or with instructor permission.
THEA 380 Directing I Introduction to the art of stage direction including its history, development, functions, and components; study of script analysis, composition, working with actors, and the organization of a production. Weekly rehearsal lab required. THEA-120 & Theatre Majors Only
THEA 420 Advanced Acting Introduction to the skills necessary to act in plays from some major periods and styles of dramatic literature: Shakespeare and Restoration. Class exercises, monologues, scene study, workshop performances, written assignments, and analysis of dramatic literature will form the basis of the course work. Specific costume pieces, including shoes, which are not provided by the department, are required to be worn during the classes and in rehearsals. THEA-225
THEA 445 Advanced Design Advanced forms of scenery, costume, or lighting study selected in consultation with the instructor. May involve portfolio development and design of main-stage productions. THEA-210, THEA-235, or THEA-240
THEA 480 Advanced Directing Advanced problems in directing for the upper-level student, with a focus on independent projects and directing a one-act play. THEA-380; Instructor permission required
THEA 490 Senior Seminar Preparation for the professional working world in theatre. Résumé preparation, various workshops and professional guest speakers. Discovery and articulation of artistic goals through group activities, written assignments, and readings. Class group agenda project. Preparation for required departmental SIP presentations. This course also include Theatre Arts Departmental Comprehensive Written and Oral Exams. Theatre major with senior standing.
THEA 593 Senior Integrated Project Each program or department sets its own requirements for Senior Integrated Projects done in that department, including the range of acceptable projects, the required background of students doing projects, the format of the SIP, and the expected scope and depth of projects. See the Kalamazoo Curriculum -> Senior Integrated Project section of the Academic Catalog for more details. Permission of department and SIP supervisor required.
THEA 600 Teaching Assistantship Teaching Assistantships in Theatre may be approved on a case-by-case basis, according to course subject and will typically vary in responsibilities and expectations, which are clarified and agreed upon, in advance by Professor and student. Permission, as well as senior standing is required.