Festival Playhouse presents: Kokoro

by Velina Hasu Houston
Directed by Ynika Yuag ’21

October 22-23, 2020

Set Design by Chris Diaz ’21
Costumes by Marie Townsend ’21
Photography by JR Sheriff

Reference the Kokoro (True Heart) program for further credits and information.

Reflections

Fadi Muallem ’24 (Hiro): This play was my first true in person play at K. It helped me meet a lot of new colleagues that made the production more fun on a rehearsal to rehearsal basis. Also, being the second play I’ve ever done, this production helped me improve technique and overall comfortability on stage, and I would not have been able to do it without many around me that were confident in my ability to take on a larger role.

Ynika Yuag ’21 (Director): I am eternally indebted to Velina, all the folks who worked on this show, and Franzia boxed wine. Read my full SIP (Unprecedented and Overdue: On Directing Kokoro (True Heart) by Velina Hasu Houston) if you want to learn more about why this show was important to do and important to do at K (spoiler alert: racism is bad and it’s everywhere in theatre, especially at K!) So grateful to do this show with Rebecca, Milan, Autumn, Fadi, and Karly and imagine new futures of theatre together.

Photo Gallery

Festival Playhouse presents: K

by Kalamazoo College students
Directed by Emilio Rodriguez

Nov 13, 2020

In Spring of 2020, Kalamazoo College welcomed guest artists to work with Kalamazoo College students to create a piece of devised theatre. In Fall of 2020, the show, K, was produced virtually. You can watch the multimedia production here.

Reference the K virtual program for further credits and information.

What is Devised Theatre?

Devised theatre is a method of creating an original work by an ensemble. Inherent in the creative process is the invitation for participants to share that which is most important to them and collectively tell a story. A story that needs telling. To this community. Now.

Timeline

Winter 2020

In early March, Jens Rasmussen, co-founder of the Bechdel Project, hosted aseries of workshops aimed at generating a student-focused discussion.

What is important to you? What is being said, and how, to whom, where, and when? What is not being said? What issues or concerns do you have that need to be addressed at K? What are your hopes and dreams for yourself? For this community? For the world?


Spring 2020

Director Emilio Rodriguez of The Black and Brown Theatre Company in Detroit, MI, taught a class on Devised Theatre.

Throughout the course, students built upon the themes and issues raised during the Winter term with Jens Rasmussen (above) to develop an original script, titled “K”, that speaks to the ideals, concerns, and hopes of current K-students.


Fall 2020

“K”, the devised script, was virtually produced as part of the 57th Festival Playhouse season, directed by Emilio Rodriguez. View the multimedia production online, for free, here.

Production Photo

Actors with shocked reactions on a Zoom call

Festival Playhouse Newsletter- Week 9 FA’20

Dear Festival Playhouse Friend,

Only two items this week, and an “I’ll try to keep it brief” reflection from Lanny….

  1. Our world premier devised theatre piece, two years in the making, “K,” drops tonight at 7:30pm, here:  https://vimeo.com/477016317.  Wonderful online content by Rebecca Chan, here:  : https://festivalplayhouse.kzoo.edu/2020/11/04/k-program/  I hope you can tune in at 7:30pm
  2. Christina Diaz has an art fair that is completely virtual! The fair will be from the 12th-15th and here is the link to register for the event: https://marwen.org/event/art-fair-2020​.  Check it out!

And now for that Brief Reflection:

I cannot think of anything more challenging than being an online college student, leaning rigorous material, AND simultaneously devising, writing, and rehearsing a play production, all during COVID. And yet, that is what our Kalamazoo College students have done. A two-year project in the making – “K” – premiers tonight at 7:30pm.

The play was devised and written this past spring completely by K students, with Jens Rasmussen of The Bechdel Project providing exploratory scenarios of discovery, Emilio Rodriguez of the Black and Brown Theatre Company providing guidance and sustaining support, spirit, and camaraderie, and dramaturgy provided by “C” Heaps.  The play has REHEARSED this fall, with Lori Sands costume designing, students from WMU’s animation department providing content, and Cody Colvin of ColvinTheatrical bringing it all together.  The play explores whiteness, social justice themes, and who gets to tell the story.  This time, we get to tell #ourstory.

A shout out to ALL who have been involved with this project.  I can’t wait.

Do NOT EVER stop nurturing your creative spirit.  How we create may change.  How we communicate may need to adapt.  But the need to create never ends.  #luckyme to GET to work with people who #neverstop.

I appreciate each of you.

Best,
Lanny

Alumna Spotlight: Katy Loebrich ’90

This fall, we’re doing a spotlight series featuring some of our favorite Kalamazoo College Theatre Arts Department alumni!

This week, we talked to Katy Loebrich ’90. While at K, she appeared in August Strindberg’s The Ghost Sonata her freshman fall. After that, she filled a variety of production positions, including wardrobe assistant, props master, sound designer, and assistant stage manager. She gradated from K in 1990 with an English major and a double-minor in Theatre Arts and Music.

She has been working in television since the year she graduated, and now, she’s a two-time Emmy Award-winning TV Producer/Director at UNC-TV Public Media North Carolina. She is one of three producers on the Arts Team, and they won the Emmy, both times, for their arts show, Muse, which profiles all kinds of arts and artists across the state.

Read more to learn about her time at K and what she’s up to now!

Alumna Kate Loebrich holding an Emmy
Katy Loebrich ’90

What plays, TV shows, or movies have been bringing you joy lately?

Ha-ha! What a great question! Binge-watching Netflix and Disney+. So much good television out there—and I love being one of the people who make the good tv! 

What’s your favorite memory from theatre at K?

There are so many!! When I was at K, we were still on the K-Plan with the rotating on-campus and off-campus quarters, and sophomores and juniors were on-campus in the summer. We did multiple main stage shows during the summer terms. Those summer shows were also great because we got to work with professional actors who came in just for the summer season.

During freshman orientation the current theatre majors did a skit for us—it was a spoof of Jeopardy, and the final Jeopardy round clue was Shakespeare & Musicals. The answer was “What are the two things not done in Kalamazoo Theatre?” Spoiler Alert: by my junior year that was no longer true.

There was a production of Othello that summer, and the A/C went off in the theatre. The cast were given the choice to perform in street clothes, and some did, and some went half and half with shorts and doublets, but Desdemona wore her full dress and kept the heavy drapes onstage—and it was the best production I’d ever seen, the energy was so high! The first musical they did during my four years fell during my Senior Individualized Project, and I drove through a snow storm from Toledo to Kalamazoo to see Godspell—it was totally worth it, a phenomenal show! 

I was the sound designer who programmed the house music for a special show: Don’t Bump into Me & Speak Cleary: An Evening with Noel Coward. Which is also when I met Nelda Balch. I became the ASM for the show because the stage manager came down with mono, and the original ASM got bumped up, so I did both roles walking back and forth across the light booth to cue music and lights. That was such a cool thing. Just Nelda’s presence was inspiring.

But the absolute best part was the people—students, professors, alumni, emerti, and friends—we taught each other as we worked together. Making a TV show is a lot like that, except you can edit out the mistakes!


Thank you so much to Katy Loebrich ’90 for answering our questions. To learn more about UNC-TV’s Muse, check out UNC-TV’s website. And if you want to know more about our alumni, check out our Notable Alumni page.

Festival Playhouse Newsletter- Week 7 FA’20

Dear Festival Playhouse Aficionado,

It’s week seven.  Ooooooofdah!!  It sure feels like it!  If you are like most students right now, you’re feeling stretched thin, stressed, a bit disoriented, and having a challenging time to just FOCUS.  I get it. 

While there is a LOT to read below on ACTF, this is a pretty short newsletter, so, onto the news:

  • We will be taking down the Kokoro link, but you can watch it for just a couple of more days here: https://vimeo.com/470842348
  • THANK YOU to EVERYONE who was part of the Kokoro production team – three SIP’s were part of this project (fantastic!) – and, I’m so proud of your great work.  Thank you.
  • Our devised theatre production, called K, has been in tech this week.  So, a shout out and huge thank you to all of the team working on THAT show (and some students worked on BOTH) productions.
  • As a department, we will not be participating in ACTF this year.  Previously I have sent out ACTF information for playwrights, and below, there is information for Design, Technology, and Management (DTM) students.  To repeat we will NOT be participating in ACTF this year as a department; however, if you as a student have interest in one of these areas (again, you can read below), you may reach out to me if you have any questions.
  • I was hesitant to include this link (I didn’t want it to appear to be self-promoting in any way), and, given the place where our industry is at, I thought it might be interesting for students to see a trailer for a project I worked on a couple of weeks ago.  It’s with the marvelous Dwandra Lampkin, who is absolutely brilliant.  The Conviction of Lady Lorraine:  https://drive.google.com/file/d/1jO5dux3JK9zb0oJwpd3H1J6ny41LtIMp/view?usp=sharing

Me too.  Hang in there, and if there is something I can do for you, let me know.

Have a great weekend.

Lanny

KCACTF Region III — DTM 2020

To support all of the ways we have engaged with our art form this past year we are providing as many opportunities for DTM students as possible. Students can register for many of the same categories as in past years and the EXPO will be a public website and response sessions will be zoom webinars.  
Because so many shows have been cancelled or produced in alternative formats with altered design elements we are being as open and encouraging as possible for all solutions.  No matter how your design, technology and management projects were produced they will be eligible for regional and national awards. When registering you will choose one of the following:

  • Fully produced and performed
  • Fully designed but canceled 
  • Fully designed production then adapted for COVID
  • Realized production designed for COVID
  • Unrealized production
  • Other:  Please explain:______________


Regional Design Projects — These are not a separate category this year. However, the respondents will be prepared to respond to the selection of shows chosen for the design projects. These plays are listed on the website (note the different tabs for different years).
Registration Deadline: November 30
Presentation Upload Deadline: December 20

Design Expo

Each student will upload a presentation of their work:

  • Maximum 16 Pages
  • Maximum size and resolution is 18 x 24 inches, 300 dpi, 20MB 
    • 16:9 aspect ratio PowerPoint/Google Slides/Keynote is recommended as most your audience will be virtual.  
    • You may create this in any software. However, it must be submitted as a PDF. In PowerPoint and Keynote you can export as PDF. In Google Slides/Docs it is File->Download->PDF Document.
    • You may want to zoom in and show specific elements of your drafting in addition to full lighting plots,ground plans, speaker plots etc.. 
  • Audio & Video Submissions
    • Audio & video will not embed in the PDF.
    • Students with Audio or Video files will be given access to the presentation web site. 
    • You may upload 1 video up to 1 minute in length.
    • You may upload up to 6 sound files each no longer than 1 minute 30 seconds. 
  • Do not include the name of your school on any of your pages and try to remove as much as you can from your embedded images.
  • Stage Managers: 
    • For the call script and blocking notation please include 3-4 pages as a single PDF. Choose pages that show off your strongest work.
    • A letter of intent (AKA Cover Letter) including: your name, event/play/piece title with playwright’s name, a brief statement of your view of the “stage manager’s approach” that includes the following information: a brief statement about how you approach stage management, why you wish to participate in the regional festival, and your future goals as a stage manager. 

Presentation Schedule: The initial schedule will be done by January 5th. Each student will get a 5 minute time slot and then there will be a final presentation round where each student gets a 10 minute response session. In the first round students should keep their presentation to 1 minute, in the second round they may prepare a 2 minute presentation. AV materials will be shared by DTM staff from the presentation materials previously submitted. Students will not need to share their screen or playback media samples. 
2020 Categories:

  • Design:
    • Costume
    • Lighting
    • Scenic
    • Sound
    • Projection *regional award only
  • Allied Design & Technology:
    • Any design, technical, engineering, management presentation that doesn’t fit in the design categories above. 
    • *Projection design is eligible for national allied awards.
  • Stage Management

Design Storm

Design Storm continues this year.  As with previous years you will be engaged in collaborative designing a production from our list of regional plays in a limited amount of time. Registration is due by November 30. Teams will start work on January 6 and present January 9. 
Directors, Dramaturgs and Designers are encouraged to participate. 
This years plays are:

  • The Imaginary Invalid
    by Moliere
  • The 25th Annual Putnam County Spelling Bee
    music and lyrics by William Finn, and book by Rachel Sheinkin
  • A Doll’s House
    by Henrik Ibsen
  • The Last Days of Judas Iscariot
    by Stephen Guirgis
  • Water by the Spoonful
    by Quiara Alegria Hudes
  • Necessary Targets
    by Eve Ensler
  • Dracula
    adapted by William McNulty

Tech Olympics

Tech olympics returns as an online trivia game show! Stay tuned for additional details!

Go to our website

Festival Playhouse Newsletter- Week 5 FA’20

What a glorious day! Get out and enjoy the beautiful crisp autumn air and bouquet of colored leaves! Take a walk to WMU’s campus…the Waldo Pond (just a ¼ mile or so from our athletic center) is a great destination point, complete with benches near the water for reflection, and turtles in the pond to entertain. ; )

Now on to the news of the week!

  1. Kokoro (True Heart) directed by Ynika Yuag ’21, with Stage Manager Teyia Artis ’21, Costume Designer Marie Townsend ’21, Scenic Design by Chris Diaz ’21, and with producing partner Cody Colvin ’18 opens next week! YES—we are doing theatre now, in this historic time! That said, we will have a link to the streamed production to view online—so we can all enjoy and appreciate the work of the company. Stay tuned for the link! Meanwhile, kudos to the company for working through all the challenges of this era, and doing so with good humor, perspective, and grace.
  2. Milan Levy ’23 has been accepted into the New York Arts program! Congratulations, Milan! For those of you who are new among us, this program provides students with the opportunity to actually work in the professional art world in NYC. Each year, students from K’s theatre arts, music, and art departments are selected for this opportunity. We’ll see how things unfold this year, but regardless, it’s an honor to be named, so CONGRATULATIONS AGAIN, MILAN!
  3. PSAC.  A reminder that we NEED student volunteers for PSAC – our Play Selection Advisory Committee.  Interested?  Please contact C.Heaps@kzoo.edu to be added to our Teams site.
  4. Here’s something cool – thanks to Rebecca Chan for sharing: “there is a new scholarship called the Cody Renard Richard Scholarship Program , and it’s specifically for BIPOC students pursuing degrees in theatre management, theatre design, and other non-acting concentrations.   If you ARE a member of Festival Playhouse, you are “getting” a “degree” in theatre management, theatre design, and “non-acting” areas.  We suspect we have many BIPOC students who would be great candidates.  Check out the materials, and then contact Lanny if interested.
  5. If you tuned into It Can’t Happen Here the radio play produced by Berkeley Repertory Theatre this week, you know how closely the story aligns with today’s political climate. Originallywritten as a novel in 1935 by Sinclair Lewis,then adapted in 1936 by Lewis and John C. Moffitt, the lines could have been right out Trump’s tweets of the last four years.All that is to say, one message of the play is, VOTE. Use it or lose it.
  6. ON that note, here’s some information if you have yet to register or cast your ballot: First off, are you registered to vote?

“YES”—GREAT! THANK YOU. What is your plan to submit your ballot?

“NO”—Good news! Since a 2018 state ballot passed, you can now register to vote, up to and on election day! Go to www.michigan.gov/vote  for details on how to register, or to confirm whether you have already registered.

Tuesday, Nov. 3: Polls open 7am-8pm; Kalamazoo Count Clerk’s office downtown is open until 8pm.

Information about the issues in this year’s election: www.vote411.org provides information about the election, the candidates, their response to questions posed to them and information about ballot proposals.

We hope you vote! Exercising your right to vote is a vote for democracy! Use it or lose it.
PLEASE VOTE!

That’s all for now—have a great weekend!

Smiles,
Laura​

Alumna Spotlight: Kate Kreiss ’19

This fall, we’re doing a spotlight series featuring some of our favorite Kalamazoo College Theatre Arts Department alumni!

This week, we talked to Kate Kreiss ’19. While at K, she appeared in several plays, including Bad Jews, The Learned Ladies, The Rocky Horror Show, Student Body, and Twelfth Night. She was also co-captain of the improv comedy troupe Monkapult and directed Amber Palmer’s Baby Dyke Whisperer and Robert Davis’s spells/signed by the heart.

Now, she’s the Marketing and Communications Coordinator for The Grand Theatre in Wausau, Wisconsin. Read more to learn about what she’s up to!

Headshot of Kate Kreiss
Kate Kreiss ’19

How have you been maintaining your craft during the pandemic?

My job has shifted a ton since March, since we’ve had to change from marketing specific shows to marketing The Grand itself. It’s required a lot of innovation from all of us, and for me, has led to a renewed sense of appreciation for the performing arts—trying to find new ways to connect with our community has reminded me how much I care about this work! I guess to answer the question more directly, I haven’t been able to work on “my craft” a ton, but I’m learning to appreciate it more. I’ve also been attempting all the little theatre TikTok challenges in my apartment which has been a deeply humbling and slightly humiliating experience for myself and my neighbors.

What has your experience planning The New Normal been like?

The New Normal is my attempt to recreate TK New PlayFest here in Wausau! We don’t see a ton of straight plays or new plays around here, but there is a really rich music culture– lots of indie artists, lots of new work premiering all over the place. I wanted to capitalize on that and try to start introducing our audience to some straight plays, contemporary dance, etc. Quarantine has been such an emotional time for all of us, and has resulted in some really poignant new work, so I felt like it was important for that work to be seen and heard. It’s been interesting to be in the “producer/curator” role instead of the “performer/director” role, and I’m grateful to my bosses for giving me the green light to try this out.

The New Normal will go live on The Grand Theatre’s Facebook and YouTube pages on Friday, Nov. 13 at 7 p.m.

Which plays, TV shows, or movies have been bringing you joy lately?

Equal parts comedy and garbage! A little Middleditch & Schwartz, Schitt’s Creek, Michelle Wolf; a little Love Island, Bachelorette, Naked & Afraid. Nothing particularly groundbreaking, but I’m enjoying escaping from the real world.

What’s your favorite memory from theatre at K?

Lots of favorites, but the one that comes to mind is the midnight performance of The Rocky Horror Show. I remember doing the Time Warp (hehe) – Sean Bogue and I (Janet and Brad) were at the lip of the stage, the only ones not dancing… I remember looking around and being literally surrounded by people doing the Time Warp. The rest of the cast was behind us, dancing on stage, and the audience was in front of us, standing up and dancing in the seats… just 360 degrees of people going bananas. I think theatre is a lot about shared moments of catharsis, but this really was a shared moment of absolute mania, and I remember thinking to myself, “I am never going to experience something like this ever again.” I do feel like we’re all experiencing a sort of “communal mania” right now in the world. Maybe that’s why I’ve been thinking about this moment so much lately.


Thank you so much to Kate Kreiss ’19 for answering our questions. To keep up with her work, follow The Grand Theatre on Facebook. And if you want to know more about our alumni, check out our Notable Alumni page.

Alumnus Spotlight: Quincy Isaiah ’17

This fall, we’re doing a spotlight series featuring some of our favorite Kalamazoo College Theatre Arts Department alumni!

This week, we talked to Quincy Isaiah ’17. While at K, he appeared as Benny in In the Heights and received an Irene Ryan Award for Performance for his role in A Raisin in the Sun.

Read more to learn about what he’s up to now!

headshot of Quincy Isaiah
Quincy Isaiah ’17

How have you been maintaining your acting craft during the pandemic?

It’s been tough because most acting classes are through Zoom now. Since I already have a role I know I’m gonna play, I just try to keep researching and watching videos on Magic. In addition to trying to look like him in terms of playing basketball and my overall body. Also, I read scripts and I’ve done a few self-tape auditions which has helped keep me busy acting. 

What’s happening with the HBO L.A. Lakers drama (in which you were cast as Magic Johnson)?

We shot the pilot last September and we were picked up in November to shoot the rest of the series. Once COVID hit, it got pushed back a few times and now we’re scheduled to shoot Spring 2021 with a possible release in 2022. 

What’s your favorite acting performance (in a play, TV show, or film) you’ve seen recently?

I’m not gonna lie, I haven’t watched as many shows or movies during the pandemic as I probably should have. But Michael Ward in Blue Story and Top Boy has really wowed me recently. Also, Paul Mescal’s performance in Normal People is amazing.

What’s your favorite memory from theatre at K?

Favorite K theatre memory? Honestly, everything from my Junior Winter until Spring quarter. I was able to do so much in a little amount of time. I was in a sketch show, a classic play (Raisin in the Sun), and an incredible musical. The cast were fun and the material really help me build the confidence as an actor. But if I had to choose one specific thing, it’s probably the third Raisin performance. Two things happened: I missed a line, but a fellow actor picked it up so well no one could tell. I also got a really great response from the crowd that night, too, afterwards.


Thank you so much to Quincy Isaiah ’17 for answering our questions. To keep up with him, follow him on Instagram. And if you want to know more about our alumni, check out our Notable Alumni page. Thanks for stopping by!

Festival Playhouse Newsletter- Week 2 FA’20

Dear Festival Playhouse Afficionado,

Welcome to Week Two!!

As crazy as it might seem to reflect upon this, our term is already 20% completed.  Wow.

I am going to share some reflections on the importance of doing art, and why it is so important especially now to be doing art, in the Week 3 newsletter.

However, for THIS week, I have only ONE announcement. But, it’s a super IMPORTANT announcement from our artist-in-residence Emilio Rodriguez.

Please read, share, forward, and help us out with casting of “K” if you are able… thank you!

​​Emilio Rodriguez, Artistic Director of the Black and Brown Theatre of Detroit, and guest artist-in-residence at Kalamazoo College, is directing our fall devised theatre production called “K.”

Emilio has included a bit about the play and roles we seek to fill below….

“We are looking for 6 actors to be a part of a unique theatrical experience over Zoom written by K students. We are looking for more performers to bring this new story to life. Rehearsals and recording will be done over Zoom so you can stay safe in the comfort of your own home! No previous acting experience necessary. Below are the roles we are looking to fill. Please email emilio.rodriguez@kzoo.edu at your earliest convenience if you are interested in playing any of these roles.”

  • Dante: Black Man, 22 yrs old, Senior, president of the Black Students in Business Group
  • Kalvin: 19, Leader of the BSA Black Student Association, Black of African Descent 
  • Damian: 22, E-Board Member of the Justice for all Coalition. Thinks he’s slick. He’s not. Person of color. 
  • AJ: 21, Black student football player who supports Trump. 
  • Chris: 21, Black student football player avidly against Trump and believes football is the only enjoyable thing about this campus.
  • Ranya: 22, Black and Dominican (afro-latina) student at K frustrated with the limitations and binaries of Latinx identity.

If you can help out in any way – thank you! 

Festival Playhouse Newsletter- Week 1 FA’20

Dear Most Wonderful, Intrepid, and Creative Explorer,

Welcome to Week One Festival Playhouse newsletter!!

We PROMISE they are not all this long, and, we “share the wealth” amongst our theatre colleagues during the term so that you have an opportunity to hear each of our “voices” during the term.

First things first:  WELCOME BACK and WELCOME TO “K”!!!  We REALLY mean that.

And, onto the news:How to get off this list:  Anyone who is reading this and does not want to be on this weekly Festival email, please email Theatre Arts Coordinator and our Company Manager Laura.Livingstone-McNelis@kzoo.edu and we will get you off the list as soon as we can…. Likewise, if you know of student(s) who have interest in the arts and theatre and they are not on the list, encourage them to “sign on” by contacting Laura and adding their name to the list.

While we are sad we can not meet in person in the Playhouse (we WILL have a pizza party and tea with Nelda again!), and we are ALWAYS looking forward to hearing about what everyone has been up to…. That’s a bit more challenging in a distance environment, and, as you are able and have inclination, please share with any theatre staff what has been “going on” with you – we really DO want to know.  We may be a dysfunctional family, but, we DO consider ourselves a great arts family.  Let’s remember that and stay connected.

Remember WHY we do theatre…. I know that it’s different for everyone, and, I can not think of a BETTER and more important time than being able to say we are DOING theatre.  Theatre CAN and DOES make the world a better place – whether that is through disturbing content, enlightening stories, or enthralling productions – there is nothing more important than sharing content through a story.  Remember that last Spring – we WROTE a play.  And, this fall, we are PRODUCING TWO PLAYS.  

Speaking of play productions – congrats to the cast and crew of Kokoro and “K”.  We will be finalizing production assignments for fall productions by next Tuesday, and, we look forward to producing some great work.  We have partnered with Cody Colvin k’18, of Colvin Theatrical in Grand Rapids to be our producing partner this fall and assist with our online streaming content.

Here’s a bit about the theatre arts department:

  • Ren Berthel.  (All Performance classes and Chair of the Dept). See Karen about academic type issues, like theatres arts courses and/or credits.  Co-Founder of the Queens Company in NYC (the all female company devoted to classical theatre, which she co-founded http://queenscompany.org/ ), Ren has served as a Posse Advisor and is brilliant in her work with performers.
  • Lanny Potts. (All Design classes and Director of Theatre). See Lanny about all production issues such as budget or production policies. Lanny serves on the board at Farmers Alley Theatre, has received multiple Wilde awards for “best lighting design” in Michigan, and enjoys outdoor activities.   
  • “C” Heaps.  (Directing/Theatre History/Playwrighting).  See visiting professor “C” about dramaturgy, participating on our Play Selection Advisory Committee, and how you can be involved as a playwright in the community.  “C” has multiple credits as a professional dramaturg internationally.
  • Jon Reeves.  (Director of Technical Theatre for Festival Playhouse and Dalton Theatre).  See Jon about all crews and technical theatre issues as well as student work in our sound, lighting, props, scenic shops and staffing for Dalton Theatre.  Jon was the first design/technical theatre person to ever receive the Kalamazoo Community Medal of Arts Award – the areas’ most prestigious award for regional artists.  (Who was the FIRST recipient?  Nelda K. Balch).
  • Laura Livingstone-McNelis (Company Manager and Theatre Administrator).  See Laura about Work Study administration, booking spaces in the dept, and basically running the entire show. Laura is a writer, a performer, a community activist, author of a master’s thesis, proud alumna of Kalamazoo College, and even prouder mother of two.
  • Lori Sands.  (Guest Artist, Costume Designer, and Costume Shop Manager).  See Lori about all things costume, wig, hair, makeup, and costume shop.  Lori is a fantastic artist and designer/scholar who creates, or works with students to create, our visual costumes for our productions.  She has more “Mickey Mouse” ears that she has created for wardrobe or events, than the Disney store.
  • Emilio Rodriguez.  (Guest Artist, Faculty, and Director).  Emilio is founder and Artistic Director of the Black and Brown Theatre Company in Detroit, Michigan http://www.blackandbrowntheatre.org.  Emilio (along with Jens Rasmussen of The Bechdel Project, and “C” Heaps) worked with students this past spring to develop our devised theatre project we are producing THIS FALL, “K,” which he will be directing.  Lucky you if you are able to catch a theatre class this year with Emilio!
  • Bianca Washington.  (Guest Artist, Director).  Local artist, educator, and a founding member of Face Off Theatre Company https://www.kalamazooarts.org/organization/face-off-theatre/ Bianca will be directing Water by the Spoonful!.  We can’t wait!

PSAC.  A reminder that we NEED student volunteers for PSAC – our Play Selection Advisory Committee.  Interested?  Please contact C.Heaps@kzoo.edu to be added to our Teams site.

Here’s something cool – thanks to Rebecca Chan for sharing: “there is a new scholarship called the Cody Renard Richard Scholarship Program​, and it’s specifically for BIPOC students pursuing degrees in theatre management, theatre design, and other non-acting concentrations.   If you ARE a member of Festival Playhouse, you are “getting” a “degree” in theatre management, theatre design, and “non-acting” areas.  I suspect we have many BIPOC students who would be great candidates.  Check out the materials, and then contact Lanny if interested.

Let me end by simply sharing something which I firmly believe – there is NO ONE better equipped for problem-solving than people who are engaged in the creative arts.  No.  One.  It is what we do, every day, every play, every rehearsal, and every tech.  We problem SOLVE.  So.  Don’t give in, give up, or give away your creative spirit and love for the arts.  

The world needs you.

Welcome back.

Lanny and the entire Theatre Arts Team